recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the 9702. album contains a set of varied tracks recorded within five years after warsaw labels launch and its first release. extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) warp or rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks n cuts movement of the second half of the 1990s. usage of human voice samples is an outstanding feature of many of these archive materials. entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish jacek sienkiewiczs creations and his label recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. this collection of music from recognitionÕs first five years, surprising for its freshness and sheer impetus, is a must for all fans of jacek sienkiewicz and polish electronic music of the turn of the 20th and 21st centuries. in connection with publication of yet-unheard tracks, jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. recognition xx audio-video performance comes out in summer as a result of this retrospective look.

mit fabric live 92 liefert preditah, dj/produzent aus birmingham, sein erstes mixalbum ab, auf dem er mit einer mixtur aus grime, uk house und garage den ultimativen rave startet. neben tracks und remixes von skepta, wiley, joker, swindle, flava d und shorty hšren wir exklusives neues material von ihm, dj q und bassboy. das komplette 32 track-set nahm preditah in einem take auf.

there arenÕt many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabotÕs hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kittÕs bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive.

existing at the very forefront of electronic music with his intricate production style and experimental sound design, viper recordingsÕ own insideinfo has continued to leave a lasting impression on the drum & bass music scene since his first viper release back in 2008.
now bringing together a mind-blowing amalgamation of genres, sounds and vocal talent from all ends of the spectrum, insideinfo gears up to release his hotly-anticipated debut album on viper recordings, the self-titled insideinfo lp.
insideinfo is more than just a drum and bass album. left of centre, classy, and set to brush shoulders with some of the most expertly crafted electronic lpÕs of recent years, this lp shows us that the talented producer is at the top of his game.

this is a clear perspective on comelades musical universe and can be considered as an ultimate best of and a radical introduction tothis chaotic and uncompromising instrumental music. rocanrolorama abrege (abbreviated rockandrolorama, in english) is the short version of the complete works and reworks of pascal comelade published at the end of 2016 as a 6-cd box set in a sold-out limited edition of 1000 numbered and signed copies. pascal comelade made this album as if it was a new and separate album, with tracks that he considers best represent his work, from 1993 to 2016, according to the principle applied with the rocanrolorama box set: songs in their original form, alternative versions, reworks, additionsÉ this short version was conceived especially for a double vinyl lp format: four sides with six tracks each, which you can listen to in the right order, from start to finish, according to a logical, thought-out progression for each side (slow tempo, medium tempo, orchestrations, electricity, etc.)

having come up with an annual-ish drop of 12inches since 2010, even brenden aka chmmr set aside the spring of 2016 to challenge himself to a new format: a full-length album. a true nostalgic, he uses compass point-era and early italo sounds for inspiration and attempts to simulate these styles. this makes for a melodic, chuggy and graphic album that belongs a little more in the living room than on the dance floor. with 10 tracks of dusty rhythms and the honest, naive and spacious themes that is brendenÕs signature, its a record designed to signal that todays technological future may not be as different as yesterdays. features a nice-looking cover painting drawn by the late harold cohenÕs aaron program - automation at its finest. hidden behind his chmmr moniker is even brenden, whose summery debut found its way into the world via norwegian psych-disco label luna flicks in 2010. the record became somewhat of a soughtafter item and after making pit stops at relish, d¿dpop and untz untz records, he landed on prins thomas full pupp in 2014 and have stayed put ever since, all the while enjoying a steady habit of record jocking and the occasional keyboard duty in telephones now-defunct live band. even resides in oslo makes odd waves without vowels.

samuel rohrer, the multi-faceted, forward-thinking percussio- nist and producer behind the arjunamusic label, the ambiq trio and a wealth of other musical projects, has set out on his own with a new full-length solo album range of regularity as a double ep set with a deceptive title if ever there was one: the sonic experience of this record is, in fact, a highly irregular one (and a highly welcome one at that). constructed almost entirely upon electronically-treated recordings of acoustic in- strumentation, with a bare minimum of synthesizer voicing, ror vibrates with a compelling organicism as if old-growth black forest trees had conspired together to make an album of ultra-modern improvisational music. indeed, the record feels limned with contributions from some other intelligence, despite being a clear extension of the fluid, percussion-driven musical technique that rohrer has exhibited in previous years.

when the gaming laws changed in jamaica in 1970, the hookim brothers joseph joe joe and ernest, who ran jukebox and one armed bandit distribution, decided it was time to expand their empire. they would build their own recording studio in the heart of kingstons ghetto land on maxfield avenue. the name would become legendary in the reggae world - >channel 1 studios< was born. this set of classic unreleased dubs comes from the in-house session band the revolutionaries , produced by the great bunny striker lee.

paul woolford aka special request bleibt seinem typischen, sehr britischen rave-stil treu und liefert - nach releases auf namhaften labels wie planet e (carl craig), running back (gerd janson), xl recordings oder houndstooth - ein atemberaubendes fabric-set ab, das mit klassischem uk und detroit techno von richard d. james (caustic window, polygon window), cristian vogel und dj stingray beginnt, um sich im verlauf zu einer tour de force diverser schattierungen von jungle, drum & bass und noise zu entwickeln.

the 2cd set does a good job in providing an overview of his musical journey to date, serving up both original productions early defected highlight this feeling, the massive thrill me and notable e samb, for starters and key remixes (check his revisions of thick dick, djd presents hydraulic dogs and atfc).

defected in the house amsterdam 2015 is a new 3cd release, featuring upfront and exclusive tracks and remixes from an a-list selection of current cutting-edge producers, including bicep, purple disco machine, kings of tomorrow, dusky, the juan maclean, seven davis jr, sisy ey, tim deluxe and many more. as with every release from our flagship in the house series you can expect to hear house music in all its myriad forms: from deep to soulful, vocal to instrumental, rhythmic to melodic. tracks to listen out for include deetrons remix of the juan macleans a simple design, a track that has come to define the 2015 ibiza season for many, along with tim deluxe feelings taken from his forthcoming jazz-influenced studio album: a stunning record that has followed a complete reinvention by the revered producer.defected in the house amsterdam 2015 is also packed full of unreleased cuts from defected, strictly rhythm and dftd, with compilation exclusives including purple disco machine & boris dlugosch l.o.v.e., emanuel satie farewell, lowheads morphrhodes, chevalier double dealin and anotr stop the music.

ministry of sound veršffentlicht eine spannende werkschau an zeitlosen club-hits, die die clubkultur der letzten dekade ma§geblich beeinflusst haben. mit von der partie sind tracks von azari & iii, paul woolford, ame, hot since 82, booka shade, kšlsch, adam beyer, claptone, solomun, dennis ferrer, green velvet, ry x, loco dice, nathan fake, james holden, u.v.a.! vorhang auf fŸr clubbers guide gold!

house music has enjoyed an incredible year, and 2017 looks set to continue to provide yet more outstanding additions to the genre. defected presents most rated 2017 celebrates the wealth and variety of house created, played and enjoyed on dancefloors worldwide, showcasing the records doing the business in clubs right now, previewing the hits of the year ahead, and reflecting on the big tracks from the past twelve months that are destined to become tomorrowÕs classics.

pat thomas - coming home! original ghanaian highlife & afrobeat classics 1964-1981

das bristoler duo kahn & neek, betreiber des bandulu labels, prŠsentieren einen 74-minŸtigen dubstep/grime-mix aus eigenproduktionen, kollabos, remixes und heavyweight-selektionen von the bug, mungo s hi-fi, commodo und gantz, musik der young echo collectivekŸnstler jabu, chester giles, rider shafique und manonmars, sowie insgesamt 14 unveršffentlichte und exklusive tracks, u.a. von ishan sound, gemmy und lamont. den abschluss bildet kode9 & spaceapes zeitlose ghost town version als statement zur aktuellen unruhe in der londoner nachtleben und clubszene.

after the landmark twentieth instalment of our watergate mix series we knew we had to secure an impressive successor to the throne. to preserve the standards set by our previous selectors, who have set the bar incredibly high, weve enlisted the genius of one of todays brightest stars to take the helm for watergate mix 21 the one and only, culoe de song. hailing from the northern shores on south africaÕs east coast, culoe de song has broken out internationally and paved an impressive path for himself over the last decade.

cabanne has been active for over 16 years and is considered as one of the main players on the minimal house scene. he is well known for his jazz and funk influences which bring a unique groove and tune to this set of 11 tracks lp available mid-october on cd and 3x12. discopathy will bring an intense pleasure to minimal house lovers, electronic music enthusiasts and jazz players who will fully enjoy this pure piece of minibarism, comfortably installed close to the flames of a burning dancefloor. this album matured and has been refined for years and it is with great emotion for both cabanne and minibar label that it is announced today.

der londoner dubstep-pionier und hotflush-labelbetreiber scuba aka paul rose beweist seine einzigartigkeit mit einem 75-minŸtigen fabric-set aus 42(!) Ÿber- und nacheinander gelegten tracks. unterschiedliche kŸnstler wie pearson sound und patrick cowley, donato dozzy und midland treffen in einer dŸster-verfŸhrerischen atmosphŠre aufeinander, so dass man sich zwischen pumpendem lo-fi techno und subsonischen bŠssen im rave-kosmos verliert.

sweet addiction is yuksekÕs great studio comeback. its 5 elegant tracks signal his return as a main player. the maxi, which prefigures a 3rd album, features the greek singer monika (make it easy) and the duo her (on the1st single, sweet addiction). yuksekÕs characteristic sound, midway between post-disco, house and pop, shines through on its various tracks. even more than on his last album, living on the edge of time, yuksek shows his talent as a singer. his new melodies are sunnier than before, his beats and production more subtle. airy, but still conveying a touch of hedonism in its most club-friendly sounds, this ep is a foretaste of a sparkling new opus. bio : at the start of the 2000s, yuksek released a series of maxis and then two albums: away from the sea (2009) and living on the edge of time (2011).those records laid the foundations of a sound that uncompromisingly combined pop, disco and electro. then in 2013, he set up his own label: partyfine. it is now home to artists such as clarens, weekend affair, get a room!, jean tonique, juveniles,tepr and villa.

channeling the energy echoing off dancefloors along his path, reinier zonneveld has been on a steady slope rolling out dance igniting productions while touring an intricate live set. megacity servant, the artistÕs third studio effort, stands as a coherent 16-piece techno outfit tinged with experimental tones while playfully deconstructing classic acid and disco fragments.

ben delay: mit seinem unverwechselbarem sound mischt der erfolgverwšhnte dj und produzent nun schon seit Ÿber fŸnfzehn jahren die internationale clubszene auf und setzt einen neuen ma§stab nach dem anderen. bei seinen zahlreichen bookings zeigt er, wie man die crowd zur ekstase bringt, an seinem sound kommt keiner vorbei. wir freuen uns daher umso mehr, dass der erfolgsverwšhnte dj ganz begeistert von der idee war, eine eigene compilation fŸr pink revolver zusammenzustellen und zu mixen. auf 2cds prŠsentiert ben delay ein dj-set mit genau den club-perlen, die er selbst ausgewŠhlt hat und mit denen er zielsicher wochenende fŸr wochenende die dancefloors im in und ausland zum brodeln bringt.

wei§e sandstrŠnde, tŸrkisblaues meer und entspannte deep house-klŠnge. deep vol.2 tropical & vocal house sounds compilation prŠsentiert sommerliche stimmung und bringt relaxte, vocallastige deep house-sounds im dj-mix, die einen aus dem heimischen wohnzimmer direkt an den strand versetzen. lŠssige vocals und treibende beats von robin schulz, hugel, nora en pure oder sons of maria

our artist led hospital mixtape series continues! over the years, s.p.y has become one of the most well-respected producers and djs in the game with an astute ear for the crispest, deepest and darkest drum & bass. s.p.ys sets are consistently crammed with the highest quality selection, which hasnÕt gone unnoticed. in 2015 he was chosen to present the prestigious bbc radio 1 essential mix for pete tong and subsequently joined annie mac at her bbc radio 1 stage at glastonbury festival.

garden of love one of the first single tracks feat peter hook (new order) on the cover of their new album malamore, their first album for because music, lionel and marie limi–anas are back in black, and looking ineffably cool, standing next to a classic silver fifties trailer, shot at a beach festival in the french town of paulilles by the spanish border, just 30 minutes drive from the duos home town of perpignan. theyd been playing a dj set, only with 45 rpm vinyl - sixties punk, italian pop, movie soundtracks and seventies rock tracks, they recall. the picture syncs well to the colour of malamore, like the artwork of a movie soundtrack. the lettering on the cover is significant too.

nice price !! howlings album -sacred ground- und seine entstehung stehen fŸr viele dinge gleichzeitig: zusammenarbeit, improvisation, einfachheit und zufŠlle. obwohl er gerade das demo-level Ÿberschritten hatte, ging der ursprungstrack -howling- anfang 2012 (via dixons boiler room set) viral und erregte in der gesamten elektronischen musikszene aufmerksamkeit, erklomm charts und gewann awards. keiner der beiden beteiligten - singer/songwriter ry x und åme-produzent/innervisions-chef frank wiedemann - hatte das erwartet

homeboy sandman is set to release kindness for weakness, his third full-length album on stones throw records. the albumÕs title comes from sandmanÕs internal insight that Òmistaking kindness for weakness is a weakness i need to have more kindness forÓ.

two years on from his previous full-length, irishman-in-stuttgart marcus lambkin returns with what follows, his third album. recorded in his home studio, but mixed with juan maclean in new hampshire, it s a typically stylish and trippy set that methodically joins the dots between giorgio moroder, lcd soundsystem, italo-disco, german techno, balearic deep house, and intense chicagoan acid. lambkin has always been adept at making club music both left-of-centre and accessible, as if he secretly pines to make 80s synth-pop but is consistently drawn towards the dancefloor. this certainly explains the quantity and quality of the vocal numbers dotted throughout what follows.

already drawing comparisons to artists like kaytranada and pomo, french producer and multi-instrumentalist jean tonique gets set to become one of the most hyped artists in 2015 with the release of his second ep through yukseks partyfine label on 30th march 2015. drawing influences from 70s funk, jean tonique makes an effort to distance himself from genre-defining elements while approaching his music from an organic and raw songwriting perspective. using elements from hip hop, house, and 70s/80s funk, the multifaceted producer likes to draw people in with the malleable dynamics of his music. after remixes of lana del rey, outkast, the kooks and many more, jean tonique has broken into the online market through being a regular fixture on hype machines top 10 and growing recognition from media outlets. now, growing on his french electronic music notoriety, jean tonique is preparing to expand his presence with the physical release of the you ep bringing that old school, happy vibe that made us fall in love withfunky house

friedrich goldmann would have turned 75. macro is celebrating the composers anniversary with a luxury box set cd edition of the complete trios of 1986 - 2004 and his singular oboe quartet (2000). two of the recordings were produced by goldmann himself, and all feature musicians with a long-term working relationship related to and deep expertise of the composers oeuvre such as ingo goritzki, bjšrn lehmann, members of ensemble mosaik and knm ensemble. the cd is accompanied by a 48 page booklet, featuring extensive essays by bjšrn gottstein (artistic director of donaueschingen music days) and musicologist bruno santos, exploring goldmannÕs groundbreaking aesthetics.

ursprŸnglich aus experimenten mit dreidimensionalen aufnahmetechniken entstanden, und als zwei einzelne, jedoch miteinander verbundene teile konstruiert, ist the ship gleicherma§en eine musikalische neuheit, wie ein traditionelles album. eno bringt auf diesem album wunderschšne songs mit minimalistischer atmosphŠre, physischer elektronik mit einer allwissenden erzŠhlung und technischer innovation zu einer einzigen, cineastischen suite zusammen. das resultat ist das beste musikalische werk von eno, ein album ohne vergleich in seinem bisherigen musikalischen katalog.

juan atkins and moritz von oswald Ð the two indispensable protagonists of the electric garden Ð plug back into the wilderness. transport Ð the new full length effort of the borderland collaborative project Ð brings together a new set of studio-refined sequences aimed at colonizing some of the dark energy that pulsates through those areas that are thoroughly electrified, even if not Ôon the gridÕ.
the detroit-berlin axis triangulates to a third point which, like the atomic particle that lives in two places at once, flickers between a form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts. borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound making. the result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every minute.

omar s - nothing left to say!

jacob bellens new solo album polyester skin is set to amaze left-field pop enthusiasts and singer songwriter-fans alike. the locally celebrated and award winning singer songwriter jacob bellens is ready to release his first internationally signed solo album polyester skin through hfn music.

jesse rose, globetrotter-dj aus london, betreiber der labels a-sided und play it down, kollaborator von acts wie switch, claude vonstroke oder hot chip und nicht zuletzt mentor solch talentierter newcomer wie christian nielsen und oliver $ however, liefert mit seinen formidablen dj-skills ein makelloses house-set in der fabric-reihe ab, das mit seiner feinen selektion aus besten good-times-grooves schon nahezu perfekt klingt.

o long awaited debut album from mike connelly and his wife, tara, recording together as clay rendering. o additional production by dominick fernow, additional vocals by becka diamond o mastered by paul corley o a delicate yet uncompromising set of songs drifting somewhere between gothic, ambient, black metal and dream pop.

der legendŠre baby ford, seit ende der 1980er schon 27 jahre lang im business, schŸttelt fŸr die neue fabric-cd locker ein ausgewogenes dancefloor-set aus kultigen house-grooves und feinstem, modernem techno aus dem €rmel. dabei lŠsst er auch sein eigenes hochqualitatives material einflie§en und beginnt das set mit seiner kollaboration mit dem ifach collective, um es mit dem noch unveršffentlichten tune * nyo15* ausklingen zu lassen.

ever since first appearing on bristol s black acre imprint back in 2009, kwesi darko s blue daisy project has been hard to pin down. 2011 debut album the sunday gift was a triumph of woozy downtempo fusion, with bustling bass music influences rubbing shoulders with folksy elements, ambient, trip-hop and experimental electronica. following black acre s demise, darko now finds himself on r&s, a label willing to let him follow his unique path. as a result, sophomore album darker than blue is an even more adventurous and enjoyable set than its predecessor, with darko adding modern classical, beat poetry and hazy jazz influences to his already heady musical brew.

sound of the 16th season people have their personal rituals. leaving the international space station russian space travelers left some bread and salt as a welcome gift for their american colleagues. tennis star serena williams bounces the ball exactly five times before her first serve. our beloved master of ceremony of techno music, sven vath, has a ritual as well: when the shadows on the island ibiza grow longer and the noise of the summer is about to fade away, he takes a couple of days off and reminisces the passing season, the parties, the crowds and the music: what were the craziest, the most outrageous, most beautiful moments? which situations, which encounters inspired me? what did we laugh about? and of course: what was the best music? which tracks accompanied me and my cocoon people during those intense weeks? vath assembles those magical tracks for the sixteenth time this year merging them into two and a half hour set.

derzeit existiert ein hype um den in manchester geborenen und in london ansässigen dj/produzenten sam shepherd. als dj legt er besten house, techno, soul und disco auf. als produzent elektronischer musik mit klassischer ausbildung beherrscht er die wunderbare kunst, eine äußerst organische fusion aus jazz, klassik, electronica, soul und brasilianischer musik zu kreieren, die er mit einem 11 bis 16 köpfigen ensemble auch so beeindruckend live vorführt, dass einem der atem stockt. zu seinen fans zählen four tet, theo parrish und kode 9. nach seinen aussagen kulminiert in seinem debütalbum elaenia alles, was er bislang musikalisch geleistet hat. jedes dj-set, das er spielte, jedes talent, das er produzierte und jede komposition, die er bislang schrieb, sind vorboten dieses werkes.

der manchesteraner produzent dub phizix prŠsentiert fŸr fabric einen atemberaubenden mix aus drum & bass, hip hop und bassgeladenen breakbeats. unter den 40 tracks befinden sich 22 unveršffentlichte, darunter zwšlf eigene dub phizix produktionen, u.a. kollabos mit drs, skeptical und chimpo sowie features von chunky, strategy und ward 21. ein fulminantes set mit cleveren wechsel von tempi und rhythmen!

better strangers is the debut album by manchester based producer acre, set for release by tectonic recordings on 6th november 2015. the album follows eps on both tectonic and sister label cold recordings and visionists pan collaboration label codes. as influenced by rave & jungle, grime and techno as electronica, ambient and drone, his ep releases have been rhythm driven snapshots of other-worldliness spliced with dancefloor sensibilities. acre has sought to explore a wider variety of textures on better strangers to re-contextualise elements from uk bass music, bring them away from the dancefloor and open up new possibilities.

the last 12 months have been a boon for fans of luke vibert, with the veteran cornishman delivering a killer acid album for hypercolour, and a slick, melodious set of disco-inspired jams under his kerrier district alias. here he returns to regular home planet mu with another typically entertaining set inspired by classic british electronic music. utilising his battery of vintage music-making machines, vibert giddily doffs a cap to early 90s intelligent techno, rave-era hardcore, bleep, chicago acid and braindance, occasionally veering off track via easy listening inspired future jazz, wagon christ style hip-hop head-nodders (the title track, which doffs a cap to a forgotten, mid-90s remix he did for ninja tune) and squidgy, synth-propelled mutant electrofunk.

der kanadische produzent mathew jonson, der auch mit seinem label wagon repair musikgeschichte geschrieben hat, schneidet seine fabric-ausgabe komplett auf sich zu. er beginnt sehr technoid mit seinem bekanntesten projekt, cobblestone jazz, bringt eigene klassiker wie * decompression* in mehreren extended versions, fŠhrt fort mit den remixen fŸr subb-an und tobias. sowie mit seinem engsten kollaborateur the mole, droppt danach unveršffentlichtes material und beendet sein set stilvoll mit seinem acid-mix von inner citys * good life*.

in april of this year, donato dozzy took a set of mouth harps back to his parents house in the italian countryside and set about exploring the possibilities of that most basic of instruments. the mouth harp had been calling to dozzy ever since childhood, when he had discovered the marranzano on a holiday in sicily with this parents at the tail end of the 1970s. almost four decades later, dozzy had begun to see in this peculiar, ancient sound, the roots of the music hed been making and playing in clubs all these years.

grime-pionier logan sama schŸttelt fŸr fabric ein spektakulŠres dj-set aus dem €rmel, bei dem 66(!) mcs - koryphŠen wie future-stars - ihre exklusiven accapella-vocals Ÿber 24 souverŠn gemixte, brandneue, unveršffentlichte instrumentals von grš§en wie wiley, preditah oder jme legen. ein weiteres novum fŸr fabric: neben dem cd format erscheint erstmals auch eine auf 500 stŸck weltweit limitierte 4xlp mit allen 24 instrumentals in ungekŸrzten versionen.

after retiring from the jamaican police force arthur duke reid established his treasure isle liquor store and sound system in pink lane kingston and was crowned the undisputed king of sound and blues in 1956, 57 and in 58. the duke then moved into record production and after relocating the store to 33 bond street, he then built a recording studio on top of his new premises in 1966. according to the musicians and singers the wooden construction of the treasure isle recording studio gave the music a distinctive warmth and richness and with resident engineer byron baron/smithy smith at the controls, the sound of a bond street recording was immediately recognisable.
but the studio one sound is different to the treasure isle sound! the people have to know. - bunny striker lee
a glittering selection of strikers treasure isle recordings are featured on this compilation. so please sit back and enjoy the set!

das dritte und letzte kapitel der woolfy vs projections album-trilogie findet mit stations seinen kršnenden abschluss, der mit den alben the astral projections of starlight aus dem jahr 2008 began und mit the return of love aus 2012 fortgefŸhrt wurde. das konzept der alben-saga der band aus los angeles von simon james und dan hastie basiert lose auf den abenteuern des verschollenen astronauten captain starlight, der held des zazu songs, einem balearic rock klassiker, der auch den sound von woolfy vs projections auszeichnet, mitbeeinflusst hat, ein dŸsterer balearic und cosmic vibe, verbunden mit dem typischen west coast sound, disco dub, funk und hippie rock. stŸcke wie absynth (von resident advisor treffend mit air covering steely dan umschrieben), neeve oder set me loose kšnnen allesamt als moderne klassiker des genres bezeichnet werden.

3xcd edition compiling all the material originally released as a set of 6 cassettes via hospital productions